Tag Archives: panhongshan jade

外星生命 – Extraterrestrial living bodies

                                         八.外星生命

 

在泛红山文化玉群中,令人感到十分惊异的是其中占相当比例的一部分外星生命体造型的玉器。这些生命体呈现出多种多样的形式,有的似人,有的似兽类、鸟类或昆虫,还有不同物种的融合或组合形式。它们的出现更使得泛红山文化玉群在史前文化中独具特色,在世界范围内的考古文化中也是一大奇观。泛红山文化玉群中如此众多形象生动、制作精巧的外星生命造型不会是原始先民的臆造,事实上它们是与当时的原始宗教相关的造型,或有其真实的背景。

融合体的造型在泛红山文化玉群中所占的比例相当大,多种不同生物的融合造型也是泛红山文化玉群的突出特点,它自然会使人们联想到:有部分的外星人它们掌握了遗传基因的改造技术, 可将不同物种融合为一体,也可将外星生命和地球生命融合为一体。所以很多融合体造型不一定是从外星而来,它们可能是实验室的产物。而这些融合体很可能仍生活在我们的地球上,以至我们现代人自身也可能是早期的地球人和高智能外星生命的融合体。

  1. Extraterrestrial living bodies

Among the Pan-Hongshan cultural jade group, the most surprising is that a considerable proportion jade pieces in various shape of extraterrestrial living body; some of them are people like, some like beasts, birds or insects, as well as the integration or combination of different species. These made the Pan-Hongshan cultural jade group unique in the prehistoric cultures, and it is the great spectacle in the archaeological cultures of the world. So many vivid, ingenious shapes of extraterrestrial living body would not be imaginary by the Pan-Hongshan people; in fact these shapes related to the primitive worships or had their true background.

The modeling of integrated body occupies a large proportion in Pan-Hongshan cultural jade group, many different integrated biological modeling is a prominent cultural character of Pan-Hongshan cultural jade group. It is natural to make people think that some of extraterrestrial mastered the genetic transformation technology, and integrated different species together into new living body, as well as to make the extraterrestrial life and the life lived on earth together into new living body. So many integrated living bodies are not necessarily come from the alien; they may be the products of the laboratory. These integrated living bodies are likely to continue to live in our planet, and our modern people may also be the integrated bodies of the highly intelligent alien and earth people in early time.

Alien 8-1

                 Fig8.1

8.1. 长角外星人

高18.5cm,宽7.8cm,厚4cm。

青玉,有灰皮,棕、黄沁色,玉声轻悠。放大镜下可见表面有许多极细的裂痕,故沁色也呈现出条纹状。

其造型为一大头外星人,双目呈橄榄球状突起,眼眶起一脊棱;前额高凸,眼鼻之间有一横向脊棱;鼻似猪鼻前噘,鼻孔朝前,鼻下方饰两道横向凹槽,呈张口状,尖下颌贴于胸前;两耳似猴耳,贴于面颊后侧;头顶有一对直立的长角;双腿屈蹲,双手置于膝上,颈后有一对钻牛鼻穿。此外星人造型奇特,加工精细,艺术水平与工艺水平都很高超。

  • 8.1 Horned alien

 

High: 18.5cm, width: 7.8cm, thickness: 4cm.

It is made of sapphire with corrosive gray skin and brownish yellow markings.

This modeling is an alien with big head and long horns. Its shape is: protruding olive-shaped eyes with relief orbits, high convex forehead, and a horizontal ridge below the orbits, pouting muzzle and nostrils forward, two horizontal grooves decorated below the nose, opened mouth, acuminate jaw affixed to the chest, ears affixed to the cheeks, a pair of long vertical horns on the head, legs squatting, hands placed on knees. There is an ox nostril-shaped hole back of its neck. This is a fantastic alien modeling with fine processing; both of artistic and technological levels are superb.

Alien 8-2

                       Fig 8.2

 

  • 8.2 巨爪外星人

高6cm,宽2.2cm,厚2.9cm。

白玉,玉质莹润,有棕、黑沁色及红色血丝纹,有蚀斑、蚀孔。

其造型为大头、小身外星人。其头形窄而长,面部形状为:一双突起的水滴状大眼,短鼻梁,大鼻头,鼻孔外翻;大嘴微张,吐舌,两耳倒竖,似猴耳;头发在脑后上翘,饰有瓦沟纹。上体很小,双臂自面颊后面生出,小臂弯曲,双手置于腰间,手形很大似兽爪,每手三指;双腿屈蹲,腹部隆起,双足也各有三趾;颈后有一对钻牛鼻穿。

  • 8.2 Big claws alien

High: 6cm, width: 2.2cm, thickness: 2.9cm.

It is made of high quality white nephrite with corrosive pits and red brown and black markings.

This modeling is an alien with big head and small body. Its shape is: a narrow and long head, a pair of protruding drop-shaped eyes, big and short nose, nostrils turned out, slightly open mouth, protruding tongue, erect ears are monkey ears like, hair on the top of the head and upturned and decorated with groove patterns, upper body very small, the arms grew up from the back of the cheeks, and big hands are animal’s claw like, and placed on the sides of  waist, three fingers on each hand, legs squatted, three toes on each foot, bulged abdomen. There is an ox nostril-shaped hole back of the neck.

Alien 8-3

                      Fig 8.3

 

  •  8.3 跪拜姿外星人

高8.6cm,宽3.5cm,厚1cm。

青玉,红褐沁色,有蚀斑和蚀孔。

其造型为一外星女子双手合十于胸前,跪拜姿。该女子大头,双环状大目几乎覆盖整个面部,直鼻,小口,口前噘,微张,似念经状。发自头顶披向背后,颈后有一对钻圆孔。此玉饰为片状,头顶部两面有倒角。左、右两面面纹饰皆以打洼法饰出。鼻口饰于前侧面,形成立体效果。

  • 8.3 Alien in kneeling and praying posture

 

High: 8.6cm, width: 3.5cm, thickness: 1cm.

It’s made of sapphire with corrosive pits and reddish brown markings.

This modeling is a female alien in kneeling posture with hands together in front. Its shape is: big head, ring-shaped big eyes almost covered the entire face, straight nose, small mouth pouting and slightly open, it seems chanting scripture. The hair was hung on the back. There is a drilling hole back of the neck. This modeling is a flake ornament, but it has three-dimensional effect, this is the consequence of the nose and mouth at the edge on the side.

Alien 8-4

                                   Fig 8.4

  • 8.4 顶鹰外星

高7cm,宽3.2cm,厚3cm。

青玉,有灰皮及棕红沁色。

其造型为一外星人,头上顶一展翅之鹰。外星人形象奇特,有头无身体,从颧骨两侧生出两支手臂,双臂弯曲,双手置下颌两侧。头型上宽下窄,双目呈半圆形突起,眉骨较高,鼻梁挺拔,蒜头鼻,闭口,双耳位置较高接近头顶,下颌前翘,像是一位瘦骨智慧老者的形象。鹰的形象为双腿弯曲,鹰爪紧抓老者额上之头发,双翅向上略展,头朝前,双目圆凸,鹰之背部下弯呈弓形。鹰之颈后有一对钻牛鼻穿。这造型使我们连想到龙山文化玉器中有一鹰攫人首玉饰,其造型是一鹰攫二人首的片状玉饰,与此件相似,它有可能源自泛红山文化。

  • 8.4 Eagle and alien

High: 7cm, width: 3.2cm, thickness: 3cm.

It is made of sapphire with brownish red markings.

This modeling is an eagle standing on an alien’s head. The shape of the alien is: only a head without body, two arms grew up from both sides of cheeks, hands placed on both sides of lower jaw, protruding semicircular-shaped eyes, garlic-shaped nose with straight nose bridge, closed mouth, ears affixed to the sides of top of the head, the mandible forward. It is a very strange image; it looks like a wise old man. The eagle’s shape is: head forward, wings spreading upward, convex eyes, bending strong legs, talons clutching the alien’s head. There is an ox nostril-shaped hole back of its neck. This model remind us of the flake jade image in the Longshan culture, its shape is an eagle clutched two human heads, it is similar to this piece, it can be seen that this Longshan jade piece is the inheritance of Pan-Hongshan cultural.

 —

Alien 8-5

 

                                   Fig 8.5

 

  •  8.5 鸭嘴水怪

高13厘米,宽7厘米,厚10厘米。

青玉,棕红沁色,有灰皮。

造型为一大头蹲姿怪兽,其面部形为:双目圆凸,环形眼眶,鼻孔外翻,鼻翼突起,双眉竖立,眉端分叉。眉间突起一双“V”字形角。宽大的鸭嘴,上唇边外翻,上唇中间有一脊棱。耳似犀牛耳,立于脑后。身似人体,前肢较细后肢状硕,手足皆为三趾。造型奇特生动,工艺难度很高。

1938年,在东欧波罗的海的爱沙尼亚朱明达海滩,曾有人发现类似的鸭嘴怪兽,它见到人便逃入海中。据此,我们可称此怪兽为“鸭嘴水怪”。无独有偶,在南美洲的奥尔梅克文化中也有刻有文字的玉制鸭嘴怪造型。

  • 8.5 Duck beak-water monster

 High: 13cm, width: 7cm, thickness: 10cm.

It is made of sapphire with corrosive reddish brown markings.

It is a monster with a big head and duck beak in squatting posture. Its shape is: round convex eyes with ring-shaped orbit, garlic-shaped nose with nostrils turned outward, bifurcated eyebrows, a pair of V-shaped horns protruding between the eyebrows, large beak, the upper lip upturned and with a ridge on the middle of it, rhino ear like ears standing on the head, its body like human body, smaller forelimbs, and strong hind legs, both of its hand and foot are bird claws like, and three fingers on each hand, and three toes on each foot. This shape of the modeling is strange and vivid, and with the difficult process.

In 1938, on the Baltic beaches in Estonia, Eastern Europe, some people saw a similar monster with a duck beak which escaped into sea when it knew that some people were watching it. Accordingly, we can call the monster as a “duck beak-water monster”. Coincidentally, the Olmec culture in South America also appeared the similar jade duck beak-monster statue.

Alien 8-6

                        Fig 8.6

 

  •  8.6 外星骷髅

高5cm,宽3.5cm,厚1.9cm。

白玉,玉质莹润,棕、灰沁色。

其造型为一外星人头骨。其轮廓似一鸟,口及下颌以上似鸟的上身,下颌及口部似鸟的尾翼。正面以圆雕饰出骷髅的形状,反面基本上平光,只有口部及下颌部背面为一凹面,凹面上方两侧饰有“人”字形斜槽。正面上方有一从两侧对钻的“ 8 ”字形大眼眶,两眼间鼻梁骨凹陷,其下方有一小圆孔使双眼连通,两眼间眉骨尖突下弯;鼻骨隆起于眼眶下方,呈凸弧形;鼻端骨略上翘,两鼻孔间有一横向圆孔,使二鼻孔连通。眼眶下方颧骨呈弯钩状,在鼻骨两侧突起两凸棱,凸棱下方下颌部与口部变窄。口很大呈弧形,有上、下两排牙齿。头顶有一对钻牛鼻穿

此外星骷髅形状奇特,结构复杂,加工难度很大,造此骷髅的目的应是这类外星人向地球人传达他们的信息,特别是以优质玉石制作更是希望它们保存长久,使后人有机会见到。

  • 8.6 Alien skull

 

High: 5cm, width: 3.5cm, thickness: 1.9cm.

It is made of white jade with corrosive brown markings.

This is an alien skull modeling. Its outline looks like a bird, above the mouth like the bird’s upper body, and the mouth and the jaw like the bird’s tail. The positive surface is decorated with the high relief processing; the opposite is flat, only the back of the mouth and the jaw concave and with V-shaped grooves on both sides. The shape on the positive is: a pair of glasses-shaped eyes, sunken nasal bone between the eyes, below which there is a hole to connect the eyes, the tip of the nose bone protruding; there is a horizontal round hole between the nostrils, hook-shaped cheek bones with convex edges, large curved mouth with upper and lower teeth. There is an ox nostril-shaped hole on the top of the head. The shape of the alien skull is oddly, and with complex structure and difficult process. The purpose to make the alien skull model should be the aliens communicated their message to the earth; especially using the high quality jade to make it is for saving it a long time, so that the future generations have an opportunity to see it.

Aquatic animals – 水族生物

六.水族生物

泛红山文化玉群中,水族生物的造型很多,有淡水生物、海洋生物及两栖类生物。这表明泛红山文化区涵盖了部分的沿海地区,  并且从氏族图腾的造型可知其地域范围是从东北亚地区经白令海峡直至美洲的西北部沿岸地区,其中包括了北太平洋的广阔海域。这证明了泛红山文化时期的先民们已经掌握了造船技术和航海的能力。

泛红山文化玉群中,龟、蛙和蝾螈的造型很多,这表明轩辕氏或称天鼋氏(他们以海龟或龟为图腾)和女娲氏(他们以蛙或蝾螈为图腾)是当时强大的氏族,他们分布的地域广阔,包含了沿海和内陆地区。除了一般的鱼类外,玉群中还有人鱼的造型,以及陆地生物与鱼类的融合体,甚至还有外星人骑鲸鱼,龟驮美人鱼等奇特的造型。这些造型使我们有理由猜想,有高智能的类人生物或外星人生活于海洋中。海洋既关系到人类的生存,又关系到人类的文明。

6.  Aquatic animals

There are many modeling of aquatic animal in the Pan-hongshan cultural jade group, such as the freshwater animals, marine animals and amphibian species. This shows that Pan-Hongshan cultural district covered a part of coastal areas, and from the shapes of its clan’s totem, we can see that its geographical range is from Northeast Asia via the Bering Strait until American Northwest coast, including the vast North Pacific rims. This proves that our ancestors already mastered the shipbuilding and marine technology during the Pan-Hongshan cultural period.

Among the Pan-Hongshan jade group many turtles, frogs and salamanders modeling appeared, it shows that Xuanyuan clan or called it Tianyuan clan, which with the turtle or sea turtle as their totem, and the Nuwa clan which with the frog or salamander as their totem were powerful clans; they have wide geographical distribution including coast and inland areas.    Other than the general shapes of fish there are mermaid modeling, and the integrated shapes of terrestrial organisms and fish, and even the exotic modeling of alien riding whale, turtle carrying mermaid and so on in the jade group. These modeling give us reason to suspect that there are intelligent humanoids or aliens living in the ocean. The ocean not only has been relating to the human survival but also has been relating to the human civilization.

aquatic 6-1

                                               Fig 6.1

 6.1 海龟

长11.5cm,宽9.4cm,龟背高3.2cm,头高4.2cm。

青玉,玉质温润,无杂色,有棕红沁色及蚀斑。

龟呈仰首爬行状,其四肢粗壮,掌指有力,以瓦沟纹饰出。双目呈半球状突起,昂首望天,鼻略上翘,大嘴,短尾呈尖状。龟壳隆起,无纹饰,腹部平光。颈下有一对钻牛鼻穿。此龟造型生动,憨态可掬,刀法简练,曲线流畅。艺术水平与工艺水平都很高。

6.1.         Sea turtle

Length: 11.5cm, width: 9.4cm, high 4.2cm.

The jade is sapphire in light green color, non-variegation, and with corrosive reddish brown markings.

This modeling is a crawling like sea turtle. It has a pair of hemispheric protruding eyes and looking up, stout limbs and metacarpals were decorated with corrugated patterns, slight upturned nose, large mouth, acuminate short tail, convex shell with no decoration, plain abdomen. There is an ox nostril-shaped drilling hole below its neck. This modeling of the sea turtle is lively, lovely, and fine processing. It has high artistic and technological level.

aquatic 6-2

                                            Fig 6.2

 6.2.

长 5cm,宽 4cm,高 2.2cm。

青玉,棕红沁色,蜡状光泽。

青蛙双目圆凸,视向前方,前腿前伸,后腿弯曲,背上饰三道瓦沟纹。准备跃起捕食状,形象生动。

6.1.         Frog

Length: 5cm, width: 4cm, high: 2.2cm.

The jade is sapphire with corrosive reddish brown markings,and wax luster.

The shape of the frog modeling is: protruding round eyes, face forward, forelegs reaching, hind legs bending. There are three longitudinal groove patterns decorated on its back. The overall shape of it is preying-like, very lively.

aquatic 6-3

                                          Fig 6.3

6.3.

长8.8cm,厚0.5cm。

青玉,褐色沁色。

其造型为一片状游动觅食状之鱼,两面纹饰相同,头部突现一双圆睁大眼睛,张大口。腹背均有鳍,以瓦沟纹饰出。尾下弯,呈蓄势待发状。造型十分生动,颈后有一对钻孔。

6.1.         Fish

Length: 8.8cm, thickness: 0.5cm.

The jade is sapphire with corrosive brown markings.

The modeling is a flat fish; both sides of it have the same decorations. It is in swimming and preying posture. It shape is: a pair of big opening round eyes, opened mouth, it has fins on the abdomen and back, tail bending inward, it looks like ready to prey on. The style of this modeling is very lively. There is round bifacial drilling hole back of the neck.

aquatic 6-4

                                            Fig 6.4

6.4. 蛹驮海豹

高5.8cm,宽4cm,厚2cm。

熊胆青玉,棕红沁色。

造型为一海豹立于一蛹背之上,海豹昂首翘尾,尾鰭贴于颈后,双足立于蛹背之上,蛹略呈船形,双目圆凸,尾略上翘。

6.4         Pupa carrying  seal

 High: 5.8cm, width: 4cm, thickness: 2cm.

The jade is in bile color, it has corrosive brown markings.

This modeling is a seal standing on the back of a pupa. The seal shape is: looking upward and upturned tail, the tail bifurcated and affixed to the back of its neck, feet on the back of the pupa. The pupa is slightly boat like, it has convex round eyes, and upturned tail.

aquatic 6-5

                                         Fig 6.5

6.5.女娲图腾像

长10.4厘米,宽7.5厘米,高10厘米,重630克。

墨绿玉,质优,棕灰色包浆,有蚀斑、蚀孔。

造型为一大蛙背驮一小孩。蛙呈坐姿,后腿前屈,前腿微屈,四肢壮硕,四足大而有力,爪趾分明,内钩支撑于地面。蛙之眉眼高凸,睛珠呈枣核形,鼻端尖凸,大嘴呈“人”字形,两腮隆起。腹部圆凸,脊柱突起,背部饰菱形瓦沟纹。小孩趴伏于蛙背,小臂和双手贴于蛙之头顶,抬头前视,其面部形为:吊梢眼,直鼻,小口,颧骨隆起 下颏前翘,双耳突起于面颊后方,头顶有长方形发髻。此玉饰造型生动,工艺水平很高。女娲氏以蛙为图腾,此造像即是女娲造人的生动写照。

末次冰期的晚期,部分女娲氏族迁徙到美洲的西北部,至今在桑塔把布拉市附近的山上还保留有女娲氏族图腾蛙和蝾螈的岩画。

6.5        The totemic image of Nuwa

Length: 10.4cm, width: 7.5cm, high: 10cm, weight: 630g.

The jade is high quality dark green jade with corrosive brownish gray markings.

The modeling is a big frog carried a small child on its back. The frog is in sitting position, its limbs sturdy, hind legs bended forward, the forelegs slightly bended. It used its large and powerful four claws to support on the ground. Its facial feature is: high convex date kernel-shaped eyes, protruding nose tip, “V”-shaped mouth, bulged cheeks. It has round convex abdomen and protruding spine. Its back was decorated with diamond-shaped tile groove patterns. The child is in kneeling prone posture and putting his arms and hands on the head of the frog, forward looking. His face shape is: slope up eyes, straight nose, small mouth, bulged cheek bones, acuminate chin forward, protruding ears behind the cheeks, and a rectangular bun on the head. This modeling is vivid style, and very high technological level. Goddess Nuwa was the human creator, she is the earliest human mother, and frog or salamander is her clan’s totem. This modeling is a vivid portrayal of Nuwa.

During the Late Last Ice Age period, a part of Nuwa’s ethnic moved to the northwest of America. So far, there are some of Nuwa’s totemic rock arts which are frogs and salamanders on the mountains near by the city Santa Barbara.

aquatic 6-6

                               Fig 6.6

6.1.龟驮美人鱼

高 13.5cm,龟身长 8.5cm,龟耳宽 5.5cm。

墨玉,有灰皮及朱砂斑。

造型为一龟驮一美人鱼,龟呈行走状,昂首前视。美人鱼尾折向臀部,立于龟背之上,面朝前视,眉目清秀,头发披向背后,双乳丰满,双手置于双乳下方。整体造型生动,充满丰富的想象力。见到它会使人们自然地联想到一个美丽的神话故事。这位美人鱼很可能就是爱斯基摩人传说的海洋女神塞得娜,她是创造北极海洋生物的造物女神,生活在海底。如此生动传奇式的雕塑在世界史前文化中当属首屈一指。

6.6.         Mermaid and turtle

 High: 13.5cm, the length of the turtle: 8.5cm, the width of the turtle: 5.5cm.

The jade is black nephrite with corrosive gray and cinnabar markings.

This modeling is a mermaid standing on a turtle’s back. The turtle is walking like, rising head and looking forward. The shape of the mermaid is woman’s body and fish tail, beauty tail upturn to her buttock and erective body, beautiful face, facing front, hair hang to the back, plump breasts and both hands hold on the bottom of the breasts. The overall shape is vivid and full of rich imagination. It makes people naturally to think of a beautiful fairy tale. This mermaid probably is the sea goddess Sedna in the Eskimo legendry, she is the creator of the Arctic marine creatures, and she lived on the seabed. Such an art modeling was undoubtedly the best in the prehistoric sculptural art.